- For me 'The Perfect Rotation' is four to six Needlework projects in a focus-based plan.
- If the travel project is surface embroidery or cross stitch, it does not count as a part of the rotation. Nor do I log time on travel projects because working on one is so random. They eventually get done.
- Each project is assigned to a 'slot' based on the type of project it is. One (and ideally ONLY one) active project per type.
- Not counted thread
- Crewel
- Surface embroidery / Redwork / Twilling
- Buttonhole cutwork (kits purchased by my mom c 1940)
- Traditional painted or printed needlepoint
- Historic reproduction / Historic inspired / Vintage / Vintage inspired counted thread
- Reproductions of Historic Samplers (Hands Across the Sea, Scarlet Letter, etc)
- Primitive Style Samplers - focus on BBD LF kits in stash (have over 25 still!)
- Quaker Style Samplers
- Marking Samplers
- Whitework Samplers (Linda Driskell, etc)
- Modern design in counted thread / Modern counted canvas
- Sampler in the modern style (ie Drawn Thread, Victoria Sampler, etc)
- Perforated Paper Ornaments (Satsuma Street, Jim Shore, Mill Hill, Willmaur etc)
- Modern Counted Canvas
- Pictorial in counted thread
- "Fancy Folk" - Mirabillia, Teresa Wentzler, Lavender & Lace/Told in a Garden, etc)
- Landscapes (Dimensions etc)
- Full Coverage (HAED, Paine Free Crafts, Artecy, etc)
- Ten logged hours per slot. If a project is completed before hitting 10 hours, I can choose a new project of the same 'type' and work on it until I reach 10 hours. Or the slot can be considered completed. It's OK to go a little over ten hours to get to a good stopping spot. If the pictorial is Full Coverage, the goal is a minimum of 2.5K stitches.
- Log hours on an excel spreadsheet in 15-minute blocks. The goal is at least two hours a day on average. Try to get through the rotation every month
- Order of the slots is flexible, but I have to work on all projects to the time or stitch count goal (or to a finish) before the rotation can restart. It's OK to leave a slot half done, work on something else for a while and come back to the partially done slot. Eventually I have to finish the 10 hours (but JUST 10 hours) on the project that I have been avoiding.
- Set up time counts. Prepping linen, mounting the frame, organizing thread is all part of the project. Likewise, frogging or fixing errors counts; that's also part of the needlework journey. Random interruptions do not count, nor does getting distracted by Instagram, Pintrest or Facebook.
- Keep up with finishing and framing. Reduce the count of the 'finished but not FFO' projects that are stored in the box under the bed.
- Needlework should be fun. But being over-run with UFOs is not fun. Try hard to follow the rules.
And if you want to know more about how I came up with the 'rules', read on:
I have never been a 'monogamous' crafter. I had at least a knitting project and an embroidery project going from a very young age. And two or three 4H projects in different categories when I got a little older. But if I get more than a dozen things competing for attention, nothing gets worked on often enough or long enough to see any real progress.
Back in 2015, I did some serious triage of Unfinished Objects (UFOs) in all the crafts that I do; I trashed anything which was missing the pattern, had materials missing/damaged that I couldn't easily replace, and/or where I had messed up to the point of not being able to repair and finish. I donated partially done and kitted projects that were still in good shape, but I had totally lost all interest in. I am continuing to weed out kitted projects; if my interest wanes, I remove them from the stash list and either donate or repurpose the materials.
When I did the Great Sort, I noticed that my cross stitch projects tended to fall into three broad categories - historic, modern and pictorial. So, I started my rotation with three needlework slots. In March 2019, I realized that I had several 'not counted thread' projects started and more of that type kitted up, so I added a fourth category for those.
There is some overlap between 'historic' and 'modern'. Primitive or "Prim" designers, Quaker inspired and so forth can go in either category, but I put them into "historic" for the most part.
After the Great Sort there were still too many in-progress projects left (over 40), and I have added more projects as I have found additional UFOs when cleaning out the basement and attic. And there's still unopened boxes where even more may lurk; I know there's one big cutwork piece from ASNQ that I kitted up that I haven't found yet.
I have been prioritizing the old unfinished needlework projects in my rotation for the last several years. As of March 2023, I am at UFO zero for both knitting and needlework; there are only active projects being currently worked on. Unfortunately, the same cannot be said for quilts - there are a dozen of those in various stages of completion. I will get to them.
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